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Brass Channel Tutorial
This area is shop work in prioress.. Always wear safety glasses for eye protection & leather gloves when handling glass. Obey all safety precautions listed on product containers, and please take your time and enjoy this experience.
This page is a brief tutorial that will focus on the construction of a "Brass Channeled" panel. It is not intended to be the end all of teaching aids, but is offered to shed light on the steps that are involved to produce a panel. Beginner's interested in the art of stained glass will get an understanding of the tools and steps required to make panels
Brass Channel Part 2 of 2

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Step-8 Grinding

Tools:

  • Electric Disc Grinder Opt.
  • Electric Grinder Opt.
  • Carbundum Stone

 

 

(Leave the paper on…) When all the glass has been scored and broken out, try separating the different colors into tubs, this way you can find the pieces easier when you start to clean and lay them out. Grinding serves a two-fold purpose. It shapes the uneven or jagged edges of the glass that has been cut, and roughens up the edges of the glass so the foil tape will adhere to the textured surface. If you are working on a small project and feel your glass cutting skill is top notch, then you may only require the use of a carbundum stone to smooth out the rough edges if any. If your cutting skills are less then perfect or the glass is not cooperating then an electric glass grinder is the tool.

 

 

Step-9 Fitting

Tools:

  • Lathkin
  • Glass Mallet
  • Horseshoe Nails
  • Wire Brush
  • Soft Bristle Brush

If I have not said it, then I will now, "Brass Channel" is the most difficult to work with. It does not bend like lead channel and is no where as free flowing as copper foil. Exercise care when selecting your design. Brass will not bend into a tight radius.

This phase will set the stage for the components of glass and brass metal came to be fitted up for soldering. On the outer edge of the panel limits we will place a wooden rail or border stop. This will act as the boundary for the panel itself. Always check and align the corners so they are square are true with perfect right angles. This will ensure a good fit for glass and framing, not to mention the appearance of the panel. This type of panel is put together similar to a puzzle. The pieces are fitted down and out, usually from an upper corner. I like to start in the upper right hand corner. This way I don't block myself in fitting a piece of glass into the layout.

 

Now is a good time to plug in your Soldering Iron to warm it up

When you have successfully completed the layout and fitting process, pat yourself on the back. Brass is beautiful, but you will work for it.

 

 

Step-10 Soldering

Tools:

  • Soldering Iron
  • Flux & Brush
  • Rags
  • Ventilation Fan
  • Solder 60/40
  • Window Cleaner

 

 

 

Now you are ready to set up for the soldering phase. If your came or brass channel looks dirty, try using a (0000 steel wool) this fine grade of steel wool will not harm most types of glass, and with a light pressure, rubbing the joint to be soldered, shouldn't harm the brass either. With the glass and brass channel cleaned and prepared, we are ready to apply the flux. I like to use a water based flux, because it is not as harsh on the elements. I.E. copper, lead, brass, etc.. We don't want to leave the flux on very long before soldering takes place. Also remember to clean the surface of the came off sporadically between soldering sessions, usually at 4 minute intervals. Soldering is much like cutting glass in that practice makes you better at it. Channeled glass is only soldered at the intersections, where the came meets together. On channeled glass work I like to use 60/40 solder as it melts faster. This in turn causes less heat transfer to the came which could damage it. The soldering irons I use are also geared for specific applications. Try a temperature controlled iron for this type of work.

 

 

Step-11 Finishing

Tools:

  • Brass Marking Pen
  • Swab
  • Window Cleaner
  • Rags
  • Engraver

 

Counting the joints is a quality check that I do. It's purpose is ensure that all the joints have been soldered. One thing I have learned is that a small drop of solder is easily overlooked on medium to large size panel. With a small pencil or stick I touch each joint on the panel to inspect it for solder and insure it has been soldered properly. Since the natural color of solder is silver, there is a contrast between the brass and the silver colors. To some this is perfectly acceptable. To others it is not. Many professional studios will touch up the joints where the silver solder is present. There are several marker pens on the market available to the stained glass industry. This procedure is as simple as coloring. Just be careful to stay on the solder joints. Last but not least, always sign your work. This is and has always been the mark of a true artist.
Sign and date your work for future reference, you never know who will become the great artist of our time..

 

 

Note: As always please wear safety glasses.
This concludes the Brass Channel Tutorial.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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